Alison Smith is a Botanical Geliplate Artist whose work captures the delicate intersection of nature and print making. These paintings are unique and one of a kind using hand pressed plant material, layered pigment and organic textures. Alison transforms fleeting moments in nature into richly layered monoprints.

Each piece is a dialogue between plant, pigment and plate – A meditation on impermanence, beauty and ecological connection. Based in Hilton in the beautiful KZN Midlands, Alison draws her inspiration from seasonal changes, local Flora and Fauna also with the addition of birds, butterflies and various insects painted from the quiet poetry of the natural world.

Anne-Marie le Roux is a ceramic artist from Pretoria. Over the past 3-4 years, Anne-Marie has focused primarily on porcelain, refining her technique and exploring the medium’s unique translucency. She prefers hand-building, as the fluidity of thin clay creates an illusion of fabric-like movement.

By using only cobalt, a little colour and a third firing of lustre on select pieces, Anne-Marie aims to evoke a quiet sense of wonder in each curve, line, and texture. When held to the light, the porcelain reveals its intricate depth and delicate radiance. The timeless beauty of blue and white ceramics continues to inspire Anne-Marie, and she loves exploring its potential in plates and bowls. Creating pieces that are both functional and visually captivating allows Anne-Marie to express her passion for this ancient yet ever-evolving art form.

Arni le Roux is an artist and scientist with a background in Ecology, Botany, and Entomology. Arni is pursuing his PhD in Botany, investigating the flora of the Drakensberg in the Eastern Free State – KZN escarpment. Arni’s work is inspired by the intricate beauty of the natural world, blending scientific knowledge with artistic expression. Through his art, Arni aims to spark curiosity and foster a deeper appreciation for the hidden details and connections in nature. 

Bear Hansen studied graphic design at the Natal Technical College. He worked at Hart Ltd doing industrial design as the first job then working at a design studio in Westville Natal. From there Hansen went on his own working freelance.

Hansen did illustrations for school books for many years, but tired of drawing so small he went big and began doing pop art paintings then portraits in mixed media, oil and pencil drawings, his favourite medium.

Caroline Schulz Vieira‘s work expresses a dialogue with the vessel and its associations as container, a space defined by walls or boundaries, and the unapparent yet intimate relationship between the ceramic vessel and architecture – the enclosed spaces we eat out of and the enclosed spaces we inhabit.

In this context Schulz Vieira likes to give voice both to UTILITY and AESTHETICS, delighting in the exploration of forms as carriers of a personal narrative that encompasses both. 

Always the beauty of the forms stems from their simplicity and understatement, coupled with the tactility evoked by glazed surfaces that have undergone a trial by heat. She works in stoneware and porcelain, hand built or wheel thrown, fired to 1260 C.  Surface finishes are kept to the minimal, oxide slips and glazes intending to define the form rather than compete with it.​​

Part of HIGHVELD CERAMICS: CURATED.

Working with porcelain clay, Carolyn Heydenrych extrapolates her architectural knowledge into ceramic forms. Black ink on the white surface corresponds with her freehand drawing on paper.

Part of HIGHVELD CERAMICS: CURATED.

Inka (Christie Murray) is a South African artist whose work is rooted in emotion, memory, and the ever-changing nature of being.

Working intuitively across oil, acrylic, spray paint, collage, and glazing techniques, she does not confine herself to a single style. While known for her bold impasto, her practice extends into layered, experimental processes where texture, transparency, and movement become part of the story. Her paintings are not bound to literal representation. Landscapes become emotional terrains, and portraits are not depictions of people, but of presence—of something felt rather than seen.

Living and working on a farm in Mpumalanga, Inka draws deeply from nature—its resilience, its unpredictability, and its quiet wisdom. Her work reflects a life lived closely with both beauty and hardship.
Having experienced deep personal loss, her art carries an understanding of what it means to break, to rebuild, and to become. This lived experience shapes her visual language—one that embraces vulnerability, strength, and transformation.

For Inka, painting is not about rules or perfection.
It is a language.
A process of change.
A way of allowing what is within to surface—honestly and without restraint.

Corné Eksteen (born 1973) is a prominent South African contemporary visual artist known for his “vibrational” paintings that bridge the gap between figurative and abstract art. He is currently based in Ladybrand, Free State, South Africa, and has been exhibiting professionally since 1996.

Eksteen’s work is deeply influenced by Disrupted Realism and the Wave-Particle Duality theory. He uses a complex process of deconstructing reference photos into strips and repainting them as narrow mirror images. This creates sinusoidal waveforms that mimic light, sound, and vibration.

His work has been shown extensively internationally in countries such as Germany, Austria, Sweden, Switzerland and the UK.

Dale Lambert is a South African ceramic artist based in Gauteng, known for her refined hand-thrown vessels in porcelain and stoneware.

Her work is characterised by elegant forms, bold colour, and layered glazes that emphasise both surface and shape. Each piece is individually handcrafted, resulting in unique sculptural vessels that balance simplicity with strong visual presence.

Part of HIGHVELD CERAMICS: CURATED.

Deirdre Botha earned her National Diploma in Ceramic Design from Tshwane University of Technology in 1991, sparking a lifelong passion for clay. Over three decades she explored oil painting, décor design, and art education, yet ceramics remained her true calling.

Today, she celebrates vibrant hues, whimsical themes, and intricate surfaces through sculptures inspired by nature, fairy tales, and imagination. Blending ceramics with painting, mosaics, gilding, and mixed media, her dynamic compositions invite viewers into playful worlds of colour and form.

Her work is available in select galleries and décor shops, with custom ceramics offered through her social media, Muddoodles.

Part of HIGHVELD CERAMICS: CURATED.

The Department of Fine and Studio Arts at Tshwane University of Technology (TUT) will present a pop-up shop at the Clarens Arts Festival. This debut participation marks the beginning of what promises to be a dynamic and ongoing collaboration.

The pop-up shop will showcase a curated selection of artworks available for purchase, created by both staff and students within the Department. Master’s degree students will manage the space, representing the Department while engaging with visitors and offering insight into the works on display.

The Department, housed within the Faculty of Arts and Design, encompasses programmes in Fine and Applied Arts as well as Jewellery Design. The selection on display reflects a diverse range of disciplines, including sculpture, ceramics, glass, printmaking, painting, drawing, jewellery, and surface design.

Together, these works highlight current studio practices and offer visitors a compelling encounter with both emerging and established voices within the Department.

Dylan Solomon is a traditional blacksmith who transforms salvaged metal into expressive, one‑of‑a‑kind artworks. Guided by the natural character of each piece of metal, his creations embody both strength and emotion. Using time‑honored forging techniques, he produces handcrafted items that are as unique as they are meaningful, blending craftsmanship with artistry.

Emma Jane Halford is a Cambridge-born artist whose creative journey began in textile design before evolving into painting, illustration, and sculpture. Now working primarily in clay, she transforms raw earth into tactile forms that explore the dialogue between emotion and structure. Her work, exhibited at SculptX, Candice Berman Gallery, The Viewing Room Gallery, and the Clarens Arts Festival, reflects harmony, movement, and connection. Through each piece, Halford seeks to evoke transformation and invite viewers into a shared emotional experience.

Engelet van Schoor is a self-taught artist whose journey into painting reflects both passion and faith. Born in Springs in 1964, she worked in engineering before dedicating herself to art full-time in 2014. Primarily working in oils, she explores themes that speak to the soul, often using strong contrasts to create drama and emotion. Her style is largely realistic, though she occasionally ventures into abstraction, constantly challenging herself with new subjects. With exhibitions at Aardklop, North-West University, and galleries across South Africa, Engelet’s work is a testament to creativity, perseverance, and a deep desire to glorify God through art.

Eugene Hon is a ceramic artist that embraces ceramics and drawing, crafting digital solutions. Breaking new ground in contemporary ceramic’s development – a fusion of drawings as digitally printed transfers on self-glazing Parian clay bodies and or as animated digital projections onto ceramic installations.

Part of HIGHVELD CERAMICS: CURATED.

Eugene Van Vrede’s artistic journey is one of passion, intuition, and deep connection. Born in Johannesburg, he honed his craft not in formal classrooms but through relentless experimentation and self-discovery. His path as a painter began with a single portrait—an image of a friend’s horse —that unexpectedly opened the door to commissions and, ultimately, a life dedicated to art.

In 2015, Eugene left behind the corporate world to pursue painting full-time, immersing himself in the subjects that stir his soul. His time in KwaZulu-Natal deepened his admiration for Nguni cattle, while his love of the wild naturally drew him to depict the raw beauty of wildlife.

What sets Eugene’s work apart is his mastery of oil paint—its fluidity, its ability to capture light, depth, and
emotion. Layer by layer, he brings his subjects to life, infusing each piece with movement and soul. For Eugene, painting is more than representation—it is an exploration of character, a celebration
of light, and a tribute to the living world.

Eunice Botes is a South African ceramic artist working primarily in porcelain. After completing her B-Tech in Ceramics (Cum Laude) in 1998, she lectured and taught art in Botswana for seven years before establishing her full-time studio practice.

Botes’ vessels become canvases for finely incised drawings and applied elements, inspired by the flora of the South African bushveld. Working with porcelain — a material demanding precision and patience — she creates quiet narrative moments through layered processes of carving, sanding, glazing, and lustre firing.

Recently, she expanded her practice with a Diploma in Interior Design, exploring how objects and interiors interact.

Part of HIGHVELD CERAMICS: CURATED.

Gaby Snyman was born and raised in Paarl. In 1982 Snyman graduated with a Fine Arts degree from the University of Stellenbosch. In 2010 she started working in clay under the tutelage of Kim Sacks. Snyman has been mentored by John Shirley for the past 12 years.

Her work revolves around the exploration of balance between spontaneity and control.  Using coloured porcelain in the agateware style, she creates movement on a static vessel.

In the throwing process, the coloured patterns integrate becoming the form itself rather than a surface decoration. Snyman is intrigued by the infinite possibilities and transformative qualities of clay.

Part of HIGHVELD CERAMICS: CURATED.

Gill Clark‘s creative journey with porcelain began over 30 years ago crafting dolls, which introduced her to the delicate art of slip casting and detailed hand painting. Over time, Clark’s curiosity led her to design and create her own forms and moulds, allowing her to slip cast and develop her own decorative style.

The discovery of paper porcelain opened exciting new possibilities, enabling Clark to manipulate slab-built work more freely and push the boundaries of form and surface.

Today, her practice continues to evolve through experimentation, blending traditional porcelain techniques with innovative approaches to shape and decoration. Endless inspiration is sourced from the botanical world, influencing the forms, textures, and surfaces that emerge in her work.

Part of HIGHVELD CERAMICS: CURATED.

Grace Kotze is a Durban-based artist born in 1968. She completed a Higher Diploma in Fine Art at Durban Institute of Technology. She paints birds, people, places and things that engages her. Kotze’s work is motivated by the challenge of fusing her emotional intent with visual and technical concerns. At present acrylic painting is her primary tool, its phenomenally versatile nature offers never-ending possibilities of exploration.

In order to produce works of integrity she has to paint from an emotional point of reference. Kotze is very aware of utilising imagery she has a profound connection to. Her paintings function on an autobiographical level documenting both her internal and external vision. Grace Kotze paints places, things and people from her everyday life, using the familiar as a direct link to an emotive sense of self

Part of HIGHVELD CERAMICS: CURATED.

Hilary Grant-Currie’s art is a love letter to the land she calls home. Nestled in the heart of rural Zululand, she finds endless inspiration in its vast skies, ancient rocks, and the quiet wisdom of its trees. Through oils, charcoals, and inks, she captures the soul of the landscape—the whispers of the wind, the dance of light on water, the resilience of nature.

Her passion extends beyond the canvas. As a dedicated mentor, she shares her knowledge through workshops and art classes, nurturing creativity in others. But perhaps her most heartfelt work lies in her community project, where she teaches unemployed women to craft exquisite papier-mâché pieces, giving them not just skills but dignity, independence, and hope.

For Hilary, art is more than a practice—it’s a way of seeing, of feeling, of giving back. Each brushstroke is a testament to the beauty she sees and the lives she touches.

With a lifelong background in dance as performer, teacher, choreographer, and Artistic Director of the Johannesburg Youth Ballet (1987–2017), Jean Beckly discovered ceramics later in life and quickly embraced the medium.

Since joining Digby Hoets’ studio in 1984, she has focused on wheel-thrown porcelain, creating mostly functional ware. Influenced by classical Greek forms and Oriental traditions, her style reflects a timeless elegance.

Recognized by Ceramics SA with awards and exhibitions, her work is held in collections locally and abroad, including the Corobrik collection, William Humphrey Gallery, and Fillingdon Fine Art in the UK.

Part of HIGHVELD CERAMICS: CURATED.

Jodie Loubser is mostly known for her WATER LILIES and VICTORIAN INTERIORS. With her lilies she focuses on surface effects, building up thick painted fields of harmonic colour to create IMPRESSIONISTIC ponds, gardens and landscapes. In contrast she draws inspiration from Victorian interiors, paying attention to absolute detail. With her love for chandeliers she draws you in with the importance of atmospheric light and mood, making you wish you were there. Her interiors can coincide with her exteriors as the two styles bring the indoors and outdoors together.

John Shirley has been working in clay since the early 1970s. Known for developing his own translucent bone China from locally sourced materials, he creates luminous forms animated by fluid, watercolour-like surfaces using soluble salts. Shirley’s work explores fragility, movement, and quiet tension, and has been exhibited both nationally and internationally.

Fellow of Ceramics Southern Africa.
Member of International Academy of Ceramics.

Part of HIGHVELD CERAMICS: CURATED.

Karla van den Bergh, an artist based in South Africa’s Lowveld, began her creative journey in Clarens before exhibiting across the world — from Paris and Avignon to Germany, Japan, and Canada. Working in acrylics, inks, and collage, her layered compositions reflect movement, meaning, and cultural diversity. Influenced by her studies under Sally Ellis in the UK, Karla’s expressive use of colour and texture celebrates human connection and the beauty of life.

Kevin Collins studied under Stanley Pinker, Helmut Starke and Cecil Skotness at the Michaelis school, UCT in the late seventies with painting as his specialization; these teachers influenced the basis of how Kevin uses colour, composition and visual articulation of a narrative.

Collins’ imagery is a reflection from years of travelling (many miles from the age of three) and making small sketches and picking up little bits of visual imagery from packaging, transport tickets and sweet wrappers from Burma to Bangalore. Some imagery emerges from his childhood and early love of illustrated story books. The ‘storytelling’ aspect has transitioned into his later ceramic works.

His work can be found in private collections in Australia, America, Argentina and UK, as well as South Africa (one hangs above the desk of Constitutional Judge Edwin Cameron’s desk)  and among corporate collections both in South Africa and Argentina.

Part of HIGHVELD CERAMICS: CURATED.

Lauren Opia is a multidisciplinary visual artist, ceramicist, and filmmaker based in Johannesburg, South Africa. Her work finds significance in the transient states between sentimentality, personal lived experiences and the human psyche, exploring how each individual’s Umwelt shapes their way of living.

Opia primarily works with ceramics and mixed media animation — two mediums that often meander into each other’s worlds to create a dialogue between Opia’s personal experiences and her unique reality — expressed through her use of colour, figuration and constructed environments. 

Part of HIGHVELD CERAMICS: CURATED.

Loezytha Maritz has been creating prophetic paintings for over 20 years, guided by the Holy Spirit and inspired by scripture. Her work seeks to capture emotion and invite viewers to experience the heart of the Father. Passionate about people, she especially enjoys the challenge of portraiture. While oil is her primary medium, she also works in acrylics and charcoal, always striving to bring spiritual meaning and depth to her art.

Louisa van den Berg is a self-taught artist living in Bloemfontein who has been painting modern art and abstract pieces for more than 20 years. She uses acrylic paint on stretched canvas and has been exhibiting at many festivals for the last 22 years.

Louise Hansen is a painter and mentor whose life has been deeply immersed in the arts for decades. Known as an “art midwife,” she has guided countless people in rediscovering their creative spark while continuing to develop her own practice. Her journey spans from early explorations in watercolour to her current focus on oils, where her grounded, light-filled works reflect both discipline and inspiration. Now based in Clarens, Louise draws on community, family, and a lifelong love of art to create pieces that are honest, nurturing, and deeply connected to place.

Louretta Marais’ love for clay began at an early age when she was first introduced to ceramics at school. She later had the privilege of studying ceramics for a year, and her connection to clay has remained ever since.

Marais works mainly with terracotta earthenware, hand-building and coiling her vessels. Each piece develops organically from the size and shape of its base, gradually forming as it grows, sometimes opening outward and sometimes closing inward. She enjoys using painted slip colours as a finish, often sanding back the surface to reveal layers of colour beneath.

Marais continues to explore new surface treatments and enjoy working on a larger scale, allowing her vessels to quietly occupy their space.

Part of HIGHVELD CERAMICS: CURATED.

Lucinda Lens is a self-taught artist who, alongside her husband, operates a small wallpaper company, Wallcandy Designs. After nearly 15 years of experimenting with wall murals, wallpaper, and art, she decided to focus more on her artistic journey, pushing the boundaries of creativity and exploring new techniques to give her work a fresh, unique perspective. Her passion for blending art and technique results in striking paintings that stand out in any crowd, with vibrant colors that are sure to turn heads.

In the gentle landscape of the Eastern Free State, Lynette Schuld‘s artistic journey began with childhood wonder. Those early years, rich with time to dream and explore, shaped her into the artist she would become. Her work now sings with vibrant colours and distinctive textures, flowing naturally between mediums – from oils and acrylics to sculpture and charcoal. But it’s on large canvases where her vision truly takes flight, creating pieces over a meter wide that transform spaces with their living energy. Each work carries echoes of that free-spirited child who once dreamed among the grasslands, now expressed through a master’s hand.

Meriel May began her creative journey in Digby’s Studio, where she discovered a love for throwing and decorating dinnerware that led to her own studio.

More recently, her explorations into painting and charcoal inspired a focus on the “Undergrowth” — the weeds and textures of our natural habitat. This theme now shapes her ceramics, where glazes, oxides, slips, and brushwork reinterpret the undergrowth and wider landscape.

She delights in the unexpected effects of the firing process, which add depth and surprise to her work.

Part of HIGHVELD CERAMICS: CURATED.

Born in Pretoria in the 1980s, Minette Cilliers developed an early passion for visual storytelling while studying Information Design at the University of Pretoria. After graduating, Cilliers completed a postgraduate programme in Stellenbosch to further refine her craft. She then spent a decade in the magazine industry as a graphic designer and photographer, where she discovered a deep love for environmental portraiture and its ability to reveal, often unspoken stories of her subjects.

In 2014, Cilliers married a farmer and moved to a remote Free State farm. There, her focus shifted to documenting everyday rural life — the people she encounters, the nearby small towns, and the quiet resilience of these isolated landscapes, which often feel like a liminal space.

Inspired by her family, personal events, the vast horizons, and the endless skies, Cilliers’ work began to explore emotion, natural beauty, and the interplay of space, light, and fleeting moments — dreamscapes — that define this chapter.

Monica van den Berg is a full-time sculptor working from her own studio. She began working with clay in 2007 and has been exhibiting her work since 2008, receiving several awards for her ceramics.

Monica primarily works with clay using handbuilding techniques, creating sculptural pieces and, more recently, focusing on hand-built vessels. At the leather-hard stage, she applies a slip to the surface of the vessel to create a canvas-like effect. She then paints the vessels with underglaze, often using her own botanical sketches as inspiration.

Each piece is finished through a firing process reaching 1160°C, resulting in distinctive ceramic works that combine sculptural form with delicate botanical imagery.

Part of HIGHVELD CERAMICS: CURATED.

Through the window of his Brooklyn studio – this one in Pretoria, not New York – Neil watches the peculiar light of South Africa fall across his canvases. The gift came to him early, as such things often do, though he never sought the formal training that might have contained or constrained it.

There is something almost medieval in his devotion to apprenticeship – not his own, for he had none, but in the steady stream of students who come to learn what cannot truly be taught. They gather in his workshop as if around a guild master, though he would laugh at such a comparison.

His hands move between mediums with the casual confidence of long practice: now oils, now acrylics, now the more unforgiving watercolors. The subjects shift too, restless as mercury. Landscapes dominate, as perhaps they must in a country where the land itself seems to demand witness, but there are also the still lifes, the wildlife studies, the human faces caught in paint.

The gallery in Brooklyn (Pretoria) serves as both showcase and sanctuary, while the outpost in Clarens catches the eye of passing travelers. He takes commissions, yes, but there is nothing servile in the way he approaches them. Rather, he listens with the careful attention of a portraitist, finding the space where his patron’s vision might meet his own. The light changes. He adjusts his palette accordingly. There is always more work to be done.

Paul Murray is a Pietermaritzburg-born artist whose storytelling unfolds through drawing, painting, and photography. Inspired by a lifelong passion for wildlife and shaped by travels across Africa, his work blends fine detail with emotion to capture the nature and spirit of his subjects. Murray’s journey has taken him from early pencil sketches to oil painting, exhibitions, and teaching, culminating in the opening of the Paul Murray Art Emporium and Studio in Clarens in 2023. Today, he continues to create and exhibit, sharing his deep respect for animals and landscapes through art that reflects both precision and heart.

Ryan Loubser is known for his unique signature geometric structured style called FRACTIONISM inspired by Picasso, Braque and Pierneef. He paints the SA landscapes, street scenes, towns, and people, focusing on capturing natural light and colour. His contemporary art includes a painterly style with loose intentional brushstrokes behind mostly expressive colourful portraits. His latest edition is called MULTI VISION where he uses optical illusions which changes when you look at it from different angles. He is by far the most versatile artist in South Africa today.

Sandy Godwin is a Johannesburg-based ceramic artist known for her delicate, wheel-thrown porcelain vessels. Originally beginning ceramics as a hobby in 1997, her passion for clay quickly evolved into a disciplined artistic practice focused on refining form, texture, and surface design.

Godwin’s work is distinguished by the use of lace impressions and carefully layered glazes, creating elegant pieces that combine lightness with intricate detail. A member of Ceramics Southern Africa, her work has been exhibited in regional and national exhibitions since 2009 and has received multiple awards, with pieces included in the permanent Corobrik Collection. 

Part of HIGHVELD CERAMICS: CURATED.

Inspired by the beauty of his mothers garden, Steve Strauss transforms vibrant memories into timeless art. Born in Schweizer-Reneke and a BCom graduate from Bloemfontein, Steve now lives his passion as a full-time artist and cattle farmer in the North West Province. His work reflects a deep connection to nature and family, capturing the joy and colour of life through exquisite paintings. Each piece is a celebration of heritage, beauty, and heartfelt inspiration. 

Step into a world where colour and emotion dance together through the masterful strokes of Tanja Davey. From her roots in the rich landscapes of Kwazulu Natal to her artistic sanctuary on Durban’s North Coast, Tanja’s journey speaks through every canvas she creates.

Each piece tells a story that words alone cannot capture – where untamed abstract forms merge with the gentle beauty of nature. Her work doesn’t just catch your eye; it captures your heart, speaking directly to that part of you that yearns for beauty and meaning in your space. As you walk through her latest exhibition, you’ll find yourself drawn to paintings that seem to whisper your own story back to you. Whether it’s the wild freedom of her abstracts or the soul- stirring interpretations of flora and fauna, each piece carries a piece of Tanja’s spirit while leaving room for your own interpretation.

These aren’t just paintings to fill a wall – they’re emotional anchors that transform your home into a sanctuary of beauty and meaning. Experience the power of art that doesn’t just complement your space, but becomes an integral part of your daily story. Visit her exhibition to experience art that not only decorates, but deeply touches the soul, compelling you to take a piece home.

The Tshireletsa Bana Foundation is a non‑profit based in and around Clarens, dedicated to discovering and nurturing the talents of local children, especially those with limited access to opportunities. Through education, upskilling, and creative projects — with a strong focus on the arts — the foundation helps children grow their abilities from grassroots level, while building confidence and opening doors to future possibilities. Their work not only benefits the children themselves but strengthens the community as a whole.

Nestled in the artistic haven of Clarens, Veronica Stafford‘s intimate Visual Vibes Art Gallery stands as a testament to her profound exploration of the human form. Through mixed media, she creates contemplative pieces that transcend conventional boundaries, focusing particularly on the female figure as a vessel for storytelling.

Each brushstroke in Stafford’s work emerges from raw inspiration, capturing the intricate dance between strength and grace. Her artistic process is deeply organic, building layers of paint that gradually reveal complex narratives of human experience. The resulting pieces speak a language beyond words, inviting viewers into a realm where emotion and physical form intertwine.

Freedom of expression pulses at the heart of her practice, as she translates the subtle ways bodies communicate feelings into visual poetry. In her hands, the complexity of human existence distills into singular, powerful moments, each piece offering a personal dialogue with its viewer. Her work remains deliberately undefined and borderless, much like the emotions it evokes.

Living and working in Clarens, Waldo Herselman finds that creativity is inseparable from place. Surrounded by the vast skies and protective embrace of the Maluti Mountains, time seems to slow, distractions fade, and space opens for deeper reflection. It is within this mountain stillness that his contemporary paintings are conceived.

The rhythm of long walks, the clarity of high-altitude light, and the quiet solitude of the landscape create an environment where ideas can unfold freely.

Waldo’s paintings emerge from this atmosphere of contemplation — contemporary in expression, layered in meaning, and shaped by the creative freedom that Clarens inspires.